climate-change Archives - Page 2 of 8

Het conflict van de dynamische mens met statische steden en gebouwen

By Tanny de Nooy
Blandlord
July.1.2016

1 Juli 2016 Blandlord

Vastgoed móet flexibiliteit gaan bieden

Koen Olthuis studeerde Architectuur en Industrieel Ontwerp aan de TU Delft. Hij werkt sindsdien als architect en heeft water als specialisme. In 2007 noemde Time Magazine hem in de lijst ‘most influential people’ vanwege zijn werk in het wereldwijd groeiende interesseveld waterontwikkeling. Het Franse tijdschrift Terra Eco verkoos hem in 2011 tot een van de honderd ‘groene’ mensen die de wereld zullen veranderen. Olthuis’ architectenbureau Waterstudio en is gevestigd in Rijswijk.

“In Nederland kennen we als geen ander de mogelijkheid om van water bouwgrond te maken. We hebben een lange historie als het gaat om het bewoonbaar maken van natte gebieden. Dat fascineert me al sinds ik studeerde.” Koen Olthuis houdt zich al vijftien jaar bezig met architectuur op het water. In 2003 richtte hij Architectenbureau Waterstudio op en sindsdien is het bureau alleen maar gegroeid. Olthuis is een veelgevraagd architect, van China en Dubai tot aan de Oekraïne en de Malediven.

Olthuis is overtuigd van de vele kansen die water te bieden heeft als het gaat om te toekomst van vastgoed. “Waar het water vroeger nog benaderd werd als een vijand die in toom gehouden moest worden, is het de afgelopen twintig jaar een vriend geworden, die ongekende mogelijkheden biedt: we kunnen met z’n allen op het water gaan wonen! En ja: dat kan overal ter wereld. Van woonboten en waterwoningen tot drijvende resorts: als er water is, kun je erop bouwen.”

“Ik weet zeker dat de vastgoedwereld de komende jaren enorm gaat veranderen”, zegt Olthuis. “Kijk om je heen; de wereld is vandaag écht anders georganiseerd dan tien jaar geleden en dit is nog maar het begin! Bedrijven veranderen de manier waarop ze werken onder invloed van de mogelijkheden van internet en nieuwe technologieën en ook in onze privélevens veranderen onze behoeften onder invloed van deze ontwikkelingen. Je kunt op je vingers natellen dat wat wij verwachten van de fysieke ruimtes waarin we wonen en werken óók zal veranderen.”

De wereld om ons heen verandert
Olthuis wijst op de grote leegstand van kantoorgebouwen die zich het afgelopen decennium in veel steden ontwikkeld heeft. Hij verklaart die leegstand door de luiheid en traagheid van de vastgoedwereld. “Onze steden zijn statisch, onze gebouwen zijn statisch, maar wij, de mensen die er gebruik van maken zijn dynamisch. Je kunt de prachtigste gebouwen maken, maar omdat de wereld om ons heen zo snel verandert is dat gebouw over tien jaar al achterhaald. Als we op deze manier blijven werken zal er niets veranderen. Gebouwen die we nu ontwerpen zullen niet meer voldoen aan de dan geldende wensen en behoeften als ze gerealiseerd zijn. Vastgoed zal meer flexibiliteit moeten gaan bieden.”

“Er zijn zoveel veranderingen dat je die als architect onmogelijk allemaal kunt voorzien”, stelt Olthuis nuchter vast. “En dus is flexibiliteit bieden het enige wat je kunt doen. Vastgoed zou niet statisch moeten zijn. Vastgoed evolueert. Nu bouwen we gebouwen die zo lang staan dat ze overbodig worden en een negatief effect op steden hebben. Architecten moeten gaan ontwerpen voor verandering. We moeten gebouwen ontwerpen die snel en eenvoudig aanpasbaar zijn, zodat ze mee kunnen golven met onze veranderende wensen.” Dat meegolven mag je van Olthuis vrij letterlijk nemen: “Alles wat je op water bouwt is makkelijk aanpasbaar. Je kunt elementen snel verbinden met elkaar en je kunt andere dingen wegschuiven. Maar ook kartonbouw en panden die bestaan uit een lichte houtstructuur, piepschuim of containers zijn oplossingen die veel meer passen bij de wensen en behoeften van deze tijd. Nog geen twintig jaar geleden spuugden we erop, maar nu zien we de logica ervan in. Het biedt precies díe flexibiliteit die de vastgoedsector nodig heeft.”

Flexibiliteit is de sleutel
En flexibiliteit is ook precies wat bouwen op het water te bieden heeft, weet Olthuis. Als het aan hem ligt bouwen we over tien jaar hele steden op het water zoals dat in andere landen al lang gebeurt. “Denk bijvoorbeeld aan de RAI in Amsterdam. In feite is dat een ontzettend log gebouw, dat voor veel events die er worden georganiseerd nét te klein of veel te groot is. Ik kan me voorstellen dat je zegt: ‘we slopen de RAI en bouwen woningen op die gewilde plaats in de stad’. Met het geld dat dat oplevert zouden er drijvende expositieruimtes in de Amsterdamse havens gebouwd kunnen worden. Daar is immers plek zat! Bij een groot event laat je die nieuwe ruimtes naar een plek in hartje centrum drijven. Op die manier benut je de ruimte die je ook echt nodig hebt.” Olthuis droomt van een dynamische stad met flexibele gebouwen.“De ziel van zo’n stad wordt bepaald door vaste iconische gebouwen als kerken en universiteiten. Maar daaromheen bouwen we flexibele en verplaatsbare functies die gedurende hun levensduur niet meer perse locatiegebonden zijn. Helemaal ingespeeld op wat de gebruiker van het gebouw op dat moment nodig heeft.”

Het aantrekken van de economie en daarmee de woningmarkt is voor Olthuis hét moment om op te roepen tot meer innovatie in de vastgoedsector. “Juist nu het weer beter gaat moeten we in durven zetten op verandering. Als we blijven doen wat we altijd al deden zullen we vroeg of laat weer tegen dezelfde problemen aanlopen. Als we met behulp van de nieuwe technologieën die we nu voorhanden hebben durven te werken, plukken we daar al heel snel de vruchten van.” De kern van Olthuis’ verhaal? “Denk na over hoe we kunnen bouwen voor ‘change’. Wat er over 10 jaar gaat gebeuren weten we niet. Bouw dus met een kortere levensduur. Van nieuwe, slimme manieren van investeren en financieren tot het durven gebruiken van nieuwe bouwmaterialen: gebouwen moeten weer van en voor de mensen zijn. Dát is de toekomst.”

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ALBENAA

By ALBENAA Magazine
volume 36
June.2016

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Has Floating Architecture’s Moment Finally Arrived?

By Rachel Keeton
Next City
October.01.2014

Resilient Cities

The Sea Tree, a floating natural habitat. (Photo by Waterstudio)

In a quiet, shady street in Rijswijk, the Netherlands, Koen Olthuis and the design team at Waterstudio are changing the world. From this deceptively nondescript headquarters, Waterstudio is designing the cities of the future. If Olthuis has his way, they will be safer, more flexible and more resilient than current cities. How will he do this? Olthuis is designing floating cities. As we sit down at the table, the busy office buzzing around us, my first question to Olthuis is direct: “How realistic are floating cities?” Olthuis grins and nods, he’s heard this question before.

Floating cities have captivated society’s imagination for centuries, from the development of Venice a millennium ago to Triton, designed for Tokyo Bay by Buckminster Fuller in the 1960s. But it wasn’t until the last decade or so that more fully realized, just-might-actually-happen sea-based urban endeavors have emerged, made more urgent by rising sea levels and rural-to-urban migration. In the last six months, Business Insider, Bloomberg and The Guardian have all run stories asking the same question: “Has the time come for floating cities?”

Olthuis dives right in: “It depends what you mean by ‘floating city.’ If you’re talking about a community of 100,000 in the middle of the sea, we’re probably about 50 years away from achieving that. If you want it to be completely self-supporting, it’s probably going to take another 20 years after that.” Bending over a roll of tracing paper, Olthuis quickly sketches a timeline of floating architecture. If we take it from the present moment, about midway on Olthuis’ sketch, hybrid cities are the next step in this evolution. Built on the edge of the existing city, these developments could easily connect to electrical and sanitation grids. “Technically, this stuff is easy to engineer: we’re already there,” says Olthuis. That makes them more straightforward to regulate and less risky for investors.

It’s the images of sparkling new cities lost at sea that have people raising skeptical eyebrows. “We’re working on a set of guidelines, a toolbox that will ultimately get us to the floating city you imagine. We’re working out these concepts that all give a glimpse of the future, but we have to find out what we need, how it works and what it adds to current urban development. We have to map out the steps to get us from today to the future and have to think about the entire process. And we need that, because if we don’t answer these questions, we get all these architects with beautiful renderings and fantastic ideas, but they don’t tell you the steps in-between and they don’t tell you why. And then your question is, but how realistic is it?”

Listening to Olthuis, it quickly becomes apparent that this scenario is actually incredibly realistic. With the technology and market demand in place, it’s political will and ownership issues that are holding development back. People have trouble imagining an urban future where city halls can be swapped for theaters on opening night, or entire Olympic villages can simply be towed around the world instead of rebuilt every four years. “Our cities today are too static. We make static cities for dynamic societies. We should be cities that can adapt to new demands and external influences. Water gives us three things: it adds more space (in old harbors, rivers, lakes), it’s safer (from storm conditions, rising sea levels) and it’s flexible. If you only construct the buildings you will use for 100 years statically, on land, and construct the buildings you will only use for 20 to 30 years flexibly, on water, then you’ve created a much more adaptable city that can respond to changing needs quickly and efficiently. If someone isn’t happy with their house anymore, they can ship it to someone who needs it in the Philippines.”

Governments are slowing starting to see the potential of this approach. If cities like New York or Tokyo build two to three percent of their development on the water, they can sell this to developers, tax the owners and create a more flexible city. Win-win. Governments are interested in this because it presents a new market for them. While most land is privately owned or already built up, by changing policies to make floating structures available the government expands its real estate. It’s a business model that is attractive because it solves multiple problems. Floating structures can reinvigorate former industrial areas like old harbors or riversides, they can adapt to extreme weather conditions better than traditional structures and they create a profit from space that is currently unmarketable.

Still, the idea of bobbing around permanently makes some people understandably squeamish. If one floating house goes up and down on waves, it may tilt: one half sits on the crest of a wave and the other end is stuck in the trough. This doesn’t happen when you start to build big enough to have a project that is always supported by multiple waves. On the water, the bigger the project, the more stable is it. In fact, floating cities are actually something that works better all around on a larger scale. If Olthuis is designing a watervilla for a single family, he has to calculate all kinds of factors to design a single, site-specific home. This ends up costing a lot more than a traditional house. If he’s designing a community of 10,000 water villas, the price is the same as a comparable urban development.

Moving functional amenities like prisons, stadiums and airports onto the water is already becoming more common as cities try to create more elbowroom for residents. Alvaro Siza’s recently completed chemical plant in Huai’An City, China, was built on the water, and BREAD Studio recently designed a floating cemetery to be rafted off the coast of Hong Kong – a city long on elderly citizens but short on space. Today there’s a floating skate park on Lake Tahoe and floating freshwater pools in the River Thames. There’s even a floating cinema in London by UP Projects, echoing Aldo Rossi’s iconic Il Teatro del Mundo from 1979.

Less whimsical but more crucial are floating developments for informal settlements located on waterfronts or in delta regions that are most vulnerable to rising sea levels. Kunlé Adeyemi’s floating school in Makoko, a picturesque shantytown in Lagos, Nigeria, will provide classroom space for 100 students. The problem with one-off projects like NLE’s floating school, according to Olthuis, is that the Lagos government has been against it from the beginning (it’s been declared illegal), and it’s not even being used because of this controversy. “If you want to really make a difference, it can’t be just one thing. It has to be a system with a sound business model,” says Olthuis.

“I think the current generation of architects really wants to help, they want to make a difference. If you tell the story of one billion people living in slums in places like Thailand, India, Bangladesh — where water is threatening those people and no one is helping them because anything that gets built can be wiped out by the next tsunami — we think, well we have to help those people. The City Apps project — retrofitted shipping containers floating on trash — is a system where we bring in floating schools, sanitation, electricity, water treatment facilities, bakeries, internet cafes, or whatever is most needed. We can connect these floating functions to the slums or disaster sites and they will slowly help upgrade these areas.

We’re investing in this ourselves, by funding the first prototype that will be deployed to Manila. We’ve started a foundation, working with Cordaid, where we lease the City Apps directly. It costs us about €50,000 to design and build a City App in a recycled shipping container, then it gets deployed to wherever it’s needed and there they construct a floating platform out of old plastic bottles and other rubbish. Ultimately, it should be a business model that provides an entrepreneurial opportunity for residents of these areas. It’s cheap — they just pay a small monthly fee — it’s safe, since it goes up and down with the water, and it provides a solution to real problems. If you don’t need it anymore, you just send it back to us and we lease it out to someone else. Next year we’ll have ten, the year after, a hundred, and it will grow to a few thousand containers around the world. Of course, it’s just a small help to these millions of people, but we hope it will act as a model and show that we can shift from giving aid to providing an opportunity for employment.”

On the other end of the inclusiveness spectrum, there are politically motivated projects like the Seasteading Institute’s Floating City. Promoted with viral videos and backed by private donors and crowd funding, these mobile communities are envisioned as new experiments in governance, giving each community total political autonomy over itself. After attending the third Seasteading Institute conference in 2012, Josh Harkinson of Mother Jones summarized the Institute as “a hacker’s approach to government with a Waterworld-esque conception of Manifest Destiny. More than a mere repository for political dreamers, it brings together engineers, scientists, and entrepreneurs of the sort one often finds in the Bay Area: techtopians who might be brilliant or delusional — or both.”

Olthuis accepts that different floating communities may have different goals. “I think we’ve only seen about 10 percent of the ideas that are actually possible in terms of floating architecture. In the next century, we’ll have thousands and thousands of new architects who can think about these possibilities.” Waterstudio calls their floating designs “scarless,” meaning they can be repositioned without leaving any trace of their presence. But the next step is to build designs like the Sea Tree, a floating natural habitat that would give small fish a sanctuary, increase the oxygenation of water, and potentially collect trash as it drifted about.

Olthuis is adamant that we have to embrace the water rather than run from it — we don’t have any other options. “Today, the momentum is there because we see the effects of climate change and we can’t be sure about our safety. We see millions of people moving to the cities and we don’t know where they will live. These issues are finally making people think twice about floating architecture. If we can convince them that it’s also financially profitable and help governments change building regulations, we’ll have a future where it’s normal to see cities that are 95 percent built on land and five percent built on water — just enough to give them the flexibility they need for an uncertain future.” It’s a revolutionary way of thinking about the city: puzzle pieces that can be reconfigured according to changing needs and desires. Olthuis’ concern with marketability and political interest makes his story much more convincing than the glossy renderings popping up on design websites. “Many architects are using technical solutions to approach this problem and just showing us the images without any information. I think a floating city is only something that works when it makes sense economically, socially, spatially — and should also look nice. It should be a normal development that is open to everyone, rather than an alien form for an elite few.” His belief in the advantages of these projects is clear, and the built examples in the Maldives, China and the Netherlands are proof of their viability. Just as it was for Buckminster Fuller 50 years ago, the floating city remains an exciting and mysterious model of urban development. Only now, it’s closer than ever. And Koen Olthuis can tell you exactly how to build it.

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AquaTecture, Buildings and cities designed to live and work with water

By Robert Barker & Richard Coutts
RIBA Publishing

Water plays a vital role in shaping our built environment, as it has done for centuries. We depend on it, we use it, we live with it and we must respect it. Aquatecture is the first book to outline new ways of ‘designing for water,’ using examples from around the world to illustrate methods of utilizing water innovatively, efficiently and safely.

The first part of the book explores the historical relationship between water and architecture, examining how cities and civilisations have been drawn to water and have attempted to control it. The chapters go on to assess how this relationship has changed over time, and introduce readers to a range of brand new techniques that will revolutionise the way we think about water, design and urban planning. Solutions such as amphibious housing, wet-proof buildings, zero carbon development, rain gardens, flood storage and new methods of waterfront design are discussed and their effectiveness assessed.

Full colour illustrations and international case studies are used throughout the book to bring these new theories to life; practical, technical advice sits alongside truly ground-breaking and ambitious ideas for the future. This book is an ideal reference tool for all architects, urban designers, planners and sustainability experts who have an interest in creating a beautiful, sustainable, intelligent and pleasurable built environment on land, in water and with water.

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Koen Olthuis one of fifty innovators of the 21th century

Koen Olthuis selected as one of the Fifty Under Fifty innovators of our time. After a world-wide search of 50 top architecture and design firms by the editors, lead author Beverly Russell along with Eva Maddox and Farooq Ameen help bring together a unique body of work; all partners in these firms will be 50 years old or under at the time of publication, and represent a forward-thinking generation of creative people, aware of global issues that urgently need solutions through imaginative design.

A distinguished five-person jury presided over the final selection: Stanley Tigerman, founding partner, Tigerman McCurry, Chicago; Ralph Johnson, design principal, Perkins+Will, Chicago; Jeanne Gang, founder Gang Studio, Chicago; Marion Weiss, founding partner, WEISS/MANFREDI, New York; and Qingyun Ma, Dean of Architecture, University of Southern California, and founder MADA s.p.a.m., Shanghai and Beijing.

The innovators featured in this impressive volume share with us, and the world, their desires for exponential learning; designs are illuminated with full-color photography and detailed illustrations, helping to showcase the innovators’ individual curiosities, imaginations, and talents. This material shows how they bridge disciplines, respect cultural norms, respond to human needs regardless of costs, and how they adopt team transparency in their passion to create and solve problems with a clear mission.

This highly anticipated book showcases honorees located across many different countries, including Bangladesh, Belgium, Brazil, China, Germany, India, Ireland, Japan, Mexico, The Netherlands, Norway, Spain, Sri Lanka, Sweden, Thailand, Turkey, and the United States. Significantly, a quarter of these innovators are women, representing the elevated leadership of women in architecture and design.ﾠ

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Waterstudio’s floating sea wall harvests blue energy from crashing water

By Tafline Laylin
Inhabitat
December.2015

Certain world leaders might be dragging their feet on addressing climate change, but in the meantime, Koen Olthuis and the rest of the Waterstudio crew are working on solutions that we can use today. The Blue energy floating sea wall is a floating breakwater that doubles as an energy generator. Called The Parthenon, the floating breakwater not only stems the crash of water pushing into a harbor, but harvests the tremendous energy a wall of water like that can generate.

Waterstudio used the Hudson River to illustrate their new design’s function. “In a harbour on the Hudson river in New York the wave conditions are so strong that a sea wall must protect its boats. The strong current in the river is constantly attacking it and water is pushing itself against and through the fixed wall, which results in more corrosion of the sea wall every year.”

The floating sea wall acts as a permeable breakwater that converts the wave power into electrical energy while reducing the waves’ impact on the harbor at the same time. “The floating breakwater lives with the force of the river instead of fighting it,” they told Inhabitat in an email.

The columns of the sea wall are comprised of 3-foot cylinders that rotate – both clockwise and counter clockwise – at low speed. The energy created by this rotation is then captured in a concrete box inside the floating platform. The cylinders are filled with water to give the structure flexibility without affecting in any way the efficacy of the wall in reducing the wave’s impact on the harbor. The whole thing is then anchored to the riverbed, and the top can double as an urban green space or boulevard.

“The Parthenon blue energy sea wall resembles the column structure of the famous ancient temple in Greece,” according to Waterstudio, “but divers see it as a part of the sunken city of Atlantis.”

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The Floating Dutchman

By Kerstin Schweighöfer
FUTURE PERFECT
December 2015

Koen Olthuis | © Architect Koen Olthuis, Waterstudio.NL

The Citadel is a floating apartment complex near Naaldwijk, Netherlands. | © Architect Koen Olthuis, Waterstudio.NL

THE FLOATING DUTCHMAN

In the tradition of his water-taming nation, Dutchman Koen Olthuis designs floating islands to dwell and live on – not least because climate change calls for new solutions in architecture.

A vacation doesn’t get more wonderful than this: a white sandy beach, a green-blue, glistening sea and an exotic underwater world to thrill any snorkeling enthusiast. All you have to do to explore it is jump into the Indian Ocean from your personal jetty, because the elegant vacation villa where you’re staying is floating on the water. In a Maldivian lagoon, this dream is currently becoming a reality as the construction of 185 floating vacation homes is currently underway. They’re arranged in the shape of a giant flower on the water. Hence the name of the project: Ocean Flower.

It was designed by Koen Olthuis, a Dutch architect who is considered a pioneer of what is called Aqua Architecture: “I build exclusively on the water,” says the 44-year-old with a strawberry-blonde mop of curly hair. His buildings are made to withstand floods and climate change because everything Olthuis designs can adapt to the level of the sea. It is not by accident that his office in Rijswijk near The Hague bears the name waterstudio.nl.

Bracing for climate change, without leaving a trace

In order to make such bold projects as the Ocean Flower a reality, Olthuis partnered with a fellow Dutchman, project developer Paul van de Camp, to found the company Dutch Docklands. It buys water properties all over the world to use them as building sites. This opens up completely new perspectives – not only for densely populated cities or countries where building sites are in short supply and hence, expensive: “It also helps residents protect themselves from the consequences of climate change.”

There is a reason Dutch Docklands launched its first project in the Maldives. It’s not just to cater to the recreational interests of spoiled tourists: The 300,000 inhabitants of the island nation will soon literally be up to their necks in water, because 80 percent of the Maldives are located barely a metre above sea level. The government had already announced plans to buy to land elsewhere in order to survive. Until Olthuis and van de Camp assured them that this was quite unnecessary: “We made the President of the Maldives understand that climate refugees can be pioneers of climate management,” said Olthuis. They understood immediately.

The Ocean Flower is just the beginning: Four more lagoons with floating vacation lodges are to follow, as well as a floating conference centre and one of the world’s most spectacular golf courses that will spread over several man-made islands to be connected by underwater glass tunnels.

And all this can be done without leaving a trace in nature or inflicting any damage, for Dutch Docklands is committed to what it calls the scarless approach: “Our units can float anywhere on the water for 200 years, yet if the area is needed for some other purpose, they can just be hauled away,” Olthuis explains. They will be gone without a trace.

The Dutch know how to live with the water

It isn’t surprising that the pioneers of Aqua Architecture are Dutch: Like no other people, the nation at the mouth of the Rhine River has spent centuries learning to tame the water or to keep it in check with dikes, dams and levees. As the proverb goes: “God created the world – and the Dutch the Netherlands.”

Whether it is in New Orleans or in Bangladesh: The expertise of Dutch hydraulic engineers and architects is in high demand throughout the world – today more so than ever, thanks to climate change, which brings swelling rivers, rising sea levels and more catastrophic floods around the globe.

The Dutch have long recognized that building ever higher dams won’t be enough. Therefore, the former nemesis is instead given more space: Polders are being flooded, retention basins are being built, tributaries being carved out and filled-up canals dug free again.

The old seafaring nation now has even less residential land available. Yet the Dutch discovered that the flooded polders and artificial water basins offer more benefits than just a controlled channeling of excess water.

Trend and challenge of generation climate change

As a consequence, aqua living has since become a trend in the Netherlands; all over the country, people reside in what is called waterwoningen. Their foundation consists of a concrete tub filled with Styrofoam, which is considered unsinkable. To keep them in place, they are moored to poles with rings so they can easily adapt to rising sea levels. Electricity and water lines are connected via hoses and cables.

Olthuis has designed countless waterwoningen: transparent villas sitting elegantly on the water, such as in Aalsmeer, Zwolle, Leiden or Amsterdam, which received an entire floating neighborhood in 2012, the steigereiland. In Antwerp, Olthuis designed a floating boulevard on the Scheldt, in Paris he created a restaurant on the Seine. And in a polder between The Hague and Delft, he wants to build de Citadel, Europe’s first floating apartment complex on a foundation of 140 by 90 metres. “Technologically speaking, all of this is easy to do,” he stresses.

The technology developed and patented by Olthuis virtually eliminates size limits on foundations for waterwoningen. In other words, the foundation can be a platform large enough to accommodate entire blocks of houses, complete with yards and parking garages: “The larger an object, the more stable it is on the water,” the architect explains.

Olthuis is therefore convinced: The city of the future consists of floating platforms that can be moved around like floes of ice. “It will evolve one step at a time,” the bold Dutchman predicts: The next fifteen years will see churches, schools and sports fields move out onto the water, then in 50 years, we will have platforms as large as 200 by 200 metres, with houses, roads and parks – until a century from now, the city of the future will be a reality: a flexible delta-metropolis of floating elements. For Olthuis, this new type of urban design, this new flexibility is “the great challenge for the architects of the climate change generation.”

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Podcast: Maldives’ Floating City?

The Seasteading Institute, Joe Quirk, Nov 2015

Interview of Joe Quirk from the Seasteading Institute with Koen Olthuis about Maldives’ floating cities.

Podcast: Maldives’ Floating City? Koen Olthuis of Waterstudio

Podcast: Play in new window

What if a nation sinking below sea level became the innovation hub for floating cities?
What if you could float the infrastructure of Holland to the slums of Bangladesh?
What if the future of floating cities is in 3D printed technology?

Dutch architect Koen Olthuis is the co-author of Float! Building on Water to Combat Urban Congestion and Climate Change with David Keuning. Koen founded Waterstudio which designs many components of floating cities, including schools, golf courses, hotels, and even stadiums, and he co-founded Dutch Docklands which plans gorgeous projects for the Maldives. In 2007, Koen was chosen at Time Magazine‘s “most influential people of the year,” and the French magazine Terra Eco chose Koen in 2011 as one of the 100 greenest persons who will change the the world.

Koen Olthuis initiated a project to transform shipping containers into Floating City Apps to upgrade living conditions in coastal slums by providing “plug-and-play” schools, kitchens, health centers, internet cafes, and water purification units.

Should seasteads establish political independence first, and then change the world? Or should floating cities set humanitarian examples, win hearts and minds, and then seek independence? Koen and I discuss the strategies and agree to partner on a shared goal.

I hope you enjoy this discussion as much as I did. And if you subscribe to podcasts on iTunes, you can find this podcast and all of our other podcasts on our iTunes page.

Joe Quirk

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Why Blue is Better

Annelie Rozeboom
Hi Europe
October.2015

Architect Koen Olthuis draws on a roll of paper while explaining why we should be building our cities on the water and how he is planning to help the poor with his ideas. “As an architect, you can design towers, but every child can do that in their Minecraft game. Plus none of the towers we build now will be there in 300 years’ time. What I want to leave behind at the end of my career are concepts and ideas, the main idea is that we need to push our cities unto the water.”
Green is good, blue is better is the motto of this Dutch architect. “Our cities don’t change fast enough. We build houses and building and expect them to be used for ever, but our society changes every ten years. If parts of our cities float, we are much more flexible. The center of Amsterdam will always be the same, but the neighborhoods around it change all the time. If buildings float, you can just pull them away and put them somewhere else,” Olthuis told Hi-Europe.

Pict: selimaksan

Working with the Water

One-half of the Netherlands is flood-prone and about one-quarter is below sea level, so it’s no wonder the Dutch spend their time developing ways to incorporate water into their style of living. The philosophy is shifting from fighting the water to living with it, or rather, on it. Instead of trying to claw back more land from the sea, developers are exploring the cost-efficiency of building homes that rise and fall with the tides. “We need to start working with the water in a more intelligent way,” Olthuis says.

This relatively new amphibious architecture is attracting interest from around the world, with floating and amphibious homes and schools now being designed for flood plains everywhere. Amphibious architecture is for both dry and wet conditions, so the houses stay dry and on the ground during normal times and then when the water arrives, they can float up.

Pict: Architect Koen Olthuis – Waterstudio.NL

Waterstudio

Olthuis wants to do much more than build a few villas. His architectural bureau Waterstudio.NL has designed complete apartment complexes, which could accommodate hundreds of people. And that is just one project. There is also a 33-meter-tall trees that can float. “Our cities have become sick environments. Green has been pushed away, but bees and other insects need quiet places. Our sea tree is like a cut-up park, which floats at a safe distance from the shore. Nature will take over on the platform and create its own ecosystem.”

Olthuis is also planning to help people in the slums of the world, which are often located on flood plains. “Worldwide you see that the most vulnerable people are being pushed into the water,” he says. This coming month he will send a floating school to Dakar – it’s a container that floats on empty plastic bottles. “The way to upgrade a slum is by installing facilities like schools and internet cafés, or easily movable small buildings that slum entrepreneurs can use. We have designed a kind of toolbox, which have 20 functions inside. This way, the entrepreneurs can choose what it is they need.”
Olthuis exports his concepts all around the globe, including to the flood zones of Hainan Island. “They have land there that they can’t use, but they will if they take our technology.” He also sells floating islands to Dubai. “Making artificial islands out of sand doesn’t work. In Dubai they built some, but they are too far away from the coast, and there is no electricity or drinking water. We are now going to put floating islands in between.”

Pict: Architect Koen Olthuis – Waterstudio.NL

Fight Against the Sea

The Dutch are famous for their age-old fight against the sea, and they have the best flood management technologies in the world. In the beginning, the people in this low country put their homes on artificial hills called terpen, but they soon started building dikes. Popular in the middle ages were wierdijken, earth dikes with a protective layer of seaweed. Later dikes had a vertical screen of timbers backed by an earth bank, but these were replaced by stones after the timber was eaten by shipworms. When the polder windmill was invented in the 15th century, it meant that land could also be drained.

The dikes around the rivers were maintained by the famers who lived next to them. Special water board directors would come to check every three years. This changed radically after a devastating North Sea flood in 1953, which resulted in 1,800 deaths. The government adopted a “never again” attitude, and built dams all around the country, guarding all main river estuaries and sea inlets. According to computer simulations, today’s defenses in the Netherlands are supposed to withstand the kind of flood so severe that it would occur only once in 10,000 years.
“We have pretty much won the fight against the sea,” architect Olthuis says. “The problem now is rainwater. Holland has 3500 low-lying polders enclosed by dykes that function as sponges – they soak up excessive rain water. However, more and more of this land is now used for housing. These are ideal places to build amphibious houses.”

Pict: Architect Koen Olthuis – Waterstudio.NL

Rising Sea Levels

Dutch scientists predict a rise in sea levels of up to 110cm by the year 2100. “We can make the dikes higher, that’s not a problem at all. Technically, all that is possible. The problem with a high dike is that when it breaks, more water will come in,” he says.

There is also growing pressure on existing land. The Dutch government estimates that 500,000 new homes will be needed in the next two decades. Most of the land suitable for conventional building has already been used up, so Dutch architects are encouraged to experiment with new solutions. “The palace in the center of Amsterdam was built on 13.654 wooden poles. It’s the densest forest in the Netherlands. There was real innovation in those times. We are built on places where there shouldn’t be land at all. It’s not about giving up, it’s about continuing to grow,” says Olthuis.

Koen Olthuis

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Floating City Apps: A Lifeline for Slums

By Carol Matlack
Bloomberg Businessweek
September.2015

Dutch architecture firm Waterstudio uses shipping containers to build structures that benefit people living in flood-ravaged shantytowns.

Firm: Waterstudio
Location: Rijswijk, Netherlands
Total Cost: $28,000

More than 600 million people worldwide live in shantytowns that suffer chronic flooding. Because these settlements are often illegal, entrepreneurs and community groups can’t get the building permits, insurance, and bank loans to open grocery stores, health clinics, and other essential establishments.
Dutch architect Koen Olthuis thinks he has a solution: His Floating City Apps are structures built from shipping containers that can be docked alongside waterfront slums. The first, set to be deployed in Dhaka, Bangladesh, this fall, will be outfitted with 20 computer workstations. It will be used as a classroom in the daytime and as an Internet café in the evening. Unesco and local non-profit are subsidizing construction. Because the units are vessels, they will qualify for insurance and private financing, which may also make them attractive options for local business.
Olthuis’s firm, Waterstudio, specializes in waterborne architecture and building floating resort in Maldives. He wants to put some of that know-how to work for the benefit of the poor. “The architecture is simple”, he says. “But you need to have a business model”.

This demonstration unit in the Netherlands is outfitted as an education and communications center, with 20 touchscreen workstations.

SOURCE: FLOATING CITY APPS

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