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What lies beneath: our love affair with living underwater

How the 1960s craze for oceanic exploration changed our relationship with the planet

By Chris Michael
The Guardian
2020.Jun.08

In November 1966, the Gemini 12 spacecraft, carrying two astronauts, splashed down in the Pacific. The four-day mission was a triumph, proving that humans could work in outer space, and even step into the great unknown, albeit tethered to their spacecraft. It catapulted the US ahead of the USSR in the space race.

From then, Nasa’s goal was to beat the Russians to the moon. That meant weeks rather than days in space, in an isolated, claustrophobic environment. There was one perfect way to prepare humans for these conditions: going underwater. The world was gripped. If we could land people on the moon, why not colonise the ocean as well?

Nasa scientists were not the first to dream of marine living. Evidence of submarines and diving bells can be found as far back as the 16th century. The literary grandfather of all things deep, Jules Verne, popularised the idea of a more sophisticated underwater life with 20,000 Leagues Under the Sea in 1872, but it was in the 20th century that the fascination really took hold.

In the 1930s, American naturalist William Beebe and engineer Otis Barton collaborated on experimental submersibles called bathyspheres which set records for deep diving and opened up the underwater realm of plants and animals to science. Swiss physicist and oceanographer Auguste Piccard created the bathyscaphe (which used floats rather than surface cables) in 1946, and his son, Jacques, was on the record-breaking voyage to explore the Mariana Trench, the deepest place on Earth, in 1960. Auguste also created the mesoscaphe – the world’s first passenger submarine – in 1964.

Jacques Piccard in the mesoscaphe
 Jacques Piccard in the mesoscaphe, the world’s first passenger submarine, which his father, Auguste Piccard, created in 1964. Photograph: Keystone-France/Gamma-Keystone via Getty Images
Dr William Beebe with a bathysphere.
 The bathysphere was invented in the 1930s by Dr William Beebe and was used to explore the ocean floor. Photograph: Chris Hunter/Corbis via Getty Images
The craze for living in the depths, rather than merely visiting, started in the 1960s, when Jacques-Yves Cousteau – inventor of scuba, wearer of red woolly hats and inspiration for ze French Narrator in Spongebob – brought the ocean vividly to life for millions around the world through his documentaries about life aboard his vessel Calypso.To Cousteau, the life subaquatic was, above all, for living. “Being French, he made sure his diving never got in the way of mealtimes,” writes author John Crace of Cousteau’s documentaries. “In fact, food and wine take almost equal precedence with the oceans in these films. No one is ever without a pipe or cigarette in their mouth, either. Except underwater, of course.”Cousteau channelled this vision of oceanic life into his underwater habitats, known as Conshelf (Continental Shelf Station). George F Bond, the father of saturation diving and head of the US navy’s Man-in-the-Sea programme, approached Cousteau with funding from the French oil industry: they wanted manned colonies at sea in order to help with future exploration.

Still from The Undersea World of Jaques Cousteau. The 1960s TV show chronicling Cousteau’s undersea explorations aboard the ex-Royal Navy minesweep, The Calypso
 The Undersea World of Jacques Cousteau, the 1960s TV show chronicling Cousteau’s undersea explorations aboard the ex-Royal Navy minesweeper Calypso. Photograph: ABC Photo Archives/Walt Disney Television via Getty Images
Jacques Cousteau’s 1964 documentary World Without Sun.
 Jacques Cousteau’s 1964 documentary World Without Sun. Photograph: Kobal/Rex/Shutterstock
Together, Bond and Cousteau built three Conshelfs. The first, in 1962, was suspended 10 metres under the water off the coast of Marseilles, but Conshelf II was a starfish-shaped “underwater village” that sat on the seabed proper, 30 metres down in the Red Sea off Sudan. It contained all the accoutrements of la vie louche, including television and radio. Cousteau used it as a base to explore the ocean in his yellow submarine, descending to 300 metres to capture the deepest footage yet recorded.His team spent 30 days beneath the waves, and in the process changed humanity’s relationship with the ocean by proving that “saturation diving” could allow people to spend long periods underwater. By diving to a certain depth, divers saturate their bodies with the inert gases in air. This allows them to exist at the extreme pressure of the ocean floor. It typically involves breathing a mix of helium and oxygen, to avoid the possibility of the bends and nitrogen narcosis.Conshelf sparked a craze. Sealab, Hydrolab, Edalhab, Helgoland, Galathee, Aquabulle, Hippocampe – more than 60 underwater habitats were dotted across the seabeds in the late 60s and early 70s from the Baltic to the Gulf of Mexico.

American aquanaut Berry L Cannon inside Sealab II
 American aquanaut Berry L Cannon inside Sealab II, developed by the US navy during the 1960s. Photograph: Abbus Archive Images/Alamy
The Cousteaus and their crew
 The Cousteaus and their crew relax after work on Conshelf II, in the Shaab Rumi reef in the Red Sea. Photograph: Robert B Goodman/National Geographic Creative
The craze even inspired two British teenagers, Colin Irwin and John Heath, to raise £1,000 to build Glaucus in 1965, which was little more than a cylindrical steel tank weighed down by old railway ties. “We all thought at the time, ‘This is the future’,” Irwin told the BBC on Glaucus’s 50th anniversary. “We may not populate the moon, but we’re going to have villages all over the continental shelf, and we thought it’s about time the British did the same thing.” They dropped it in the waters of Plymouth Sound and spent a week inside.It is the Nasa missions, however, that remain the most iconic of the 60s underwater living experiments. This is in large part due to the marine biologist Sylvia Earle, one of the most famous explorers of her generation. In 1969, Earle made history with Mission 6, when she and an all-female team of scientists spent two weeks on Nasa’s habitat Tektite (named after meteor remnants on the seabed). This Virgin Islands research facility was for studying aquatic life – marine science, engineering and construction underwater – and small-crew psychology in extreme conditions. The research was for the Apollo missions and the moon landing was just months away.Built by General Electric, Earle and her team would enter Tektite through what she calls an “underwater door” – emerging as if from a swimming pool into the deep-sea two-up, two-down apartment. It was dry, climate-controlled and comfortable, with carpets, bunks and a hot freshwater shower to wash off the salt. It even had a microwave.“Nasa had a team of psychologists watching to get insight into behaviour of living in isolation,” says Earle today. “We were there as guinea pigs: our research was on the oceans, their research was on us.”But Tektite wasn’t just a research station – it was a vision of stylish underwater living. With their scientific gear and Charlie’s Angels wetsuits in their Bond-villain lair, Earle and her team caused a media sensation.

“They called us the aquababes, the aquanaughties, all sorts of things,” Earle recalls with a snort. “We speculated what they would say about the astronauts if they were seen the same way – would they be the astrohunks?”

Habitats such as Glaucus, Conshelf and Tektite were built as tributes to humankind’s abilities, but their true achievement was to spark an entirely different understanding of marine animals. “Back then we could only explore using nets, and just saw dead bodies – not living creatures. Having the continuous interaction allowed us to get to know individual animals,” Earle says. “[In underwater habitats] we could stay, the way you look at bears or birds: we were there for the long haul, 24 hours a day or night. It was possible to see how a little group of damselfish reacted when a predator tried to swipe their eggs, for example.

Peggy Lucas with team leader Dr Sylvia Earle
 Engineer Peggy Lucas and team leader Dr Sylvia Earle in Nasa’s Tektite habitat in the Virgin Islands. Photograph: Bettmann Archive
Artist’s cutaway view of the Tektite II habitat.
 Cutaway model of Nasa’s Tektite II habitat. Photograph: NOAA Central Library Historical Fisheries Collection
Dr Sylvia Earle diving.
 Dr Sylvia Earle diving off Magic Point, New South Wales, Australia, with a Port Jackson shark in 2004. Photograph: The Sydney Morning Herald/Fairfax Media via Getty Images
“You look at a school of fish and they all look alike, but when you really look at them – well, it’s like a bunch of people getting on the New York subway: a fish would say they all look the same, but we know they’re different. Getting to appreciate the individuality of creatures other than humans was a breakthrough for me – it reinforces that you can’t just lump them all together.”But, in 1973, the world was shaken when Opec declared an oil embargo. Energy prices in the west skyrocketed. At first, the oil shock fuelled even wilder fantasies of a watery future, straight out of science fiction. Architects and designers imagined whole cities underwater, fed by hydropower stations, with deep-sea mining using freight submarines.Much like living in space, though, it’s extremely difficult to live underwater. Aquanauts spending months in saturation suffered intense pressures on their body tissues – their brains, nervous systems. There were also interpersonal problems. As the marine biologist Helen Scales notes in her 2014 radio documentary The Life Sub-Aquatic:“If you’ve ever lived in a house with anyone, the first thing you do is storm out if you have a quarrel. You’re not going to do that [underwater].”Advances in robotics changed the game. Much of the research being done by Earle and her colleagues could be more efficiently performed by humans operating devices remotely from the surface. By the end of the 70s, the US government pulled back on its efforts. The moon missions were over. So, it seemed, were the ocean habitats.A few people refused to let the dream die. One was Australian Lloyd Godson. His habitat, BioSub, experimented with sustainability. Fuelled by solar panels, it featured a support system adapted from work by American high school students, with algae removing the CO2 from his exhalations and creating oxygen. In 2007 he moved in. It worked – sort of. “By day 12 I was lethargic, getting really irritated with people asking questions,” he told the BBC. “My wife told me to call it a day.”

In 2010 Godson spent 14 days underwater at the Legoland aquarium in Germany and used a fixed bicycle to set a world record for generating electricity underwater.

The SeaOrbiter designed by French architect Jacques Rougerie
 The SeaOrbiter, designed by French architect Jacques Rougerie. Photograph: Jacques Rougerie
Better funded is the French architect Jacques Rougerie, who has built a career designing underwater habitats and environments. “I had the pleasure of going on Cousteau’s Calypso, participating in expeditions, talking to the crew – and what he created was a fascination for underwater living,” Rougerie says from his office in Paris. “The early explorers opened the chamber of the possible for humanity. When you are underwater you feel like you’re in a new dimension – floating in space, like an astronaut.”Citing Leonardo da Vinci as an inspiration, Rougerie designs sea museums, underwater laboratories and habitats, and his foundation hosts an annual competition for students to conceive of underwater villages. Rougerie himself has twice lived for long periods underwater, and both times he didn’t want to return to land. “Sadness invades you,” he says. “I was happy to come back and see family, but the first thing you think of is the next experience.”Rougerie’s ultimate goal remains that old 1960s dream: a proper underwater village, housing up to 250 people. In his vision, these aquanaut settlers would live in osmosis with the ocean, in a self-sufficient, autonomous community running on renewable marine energy such as tidal power, wave sensors and ocean thermals.Perhaps most ambitious of all is SeaOrbiter, Rougerie’s take on the International Space Station for the ocean. It looks like a floating seahorse: two-thirds of its 51 metres are submerged, with panoramic windows, the lower section acting to stabilise a huge sail-shaped portion above water.“The goal, above all, is to help the climate and biodiversity by exploring across the grand currents of the ocean,” he says. “To float 24/7 on a permanent structure, a combination of men and robots with a scientific purpose.”

Despite Rougerie’s claims that he has secured Chinese investment, SeaOrbiter appears no closer to pushing off.

Indeed, after all the projects of the past 50 years, only one permanent underwater habitat remains on the entire planet: Aquarius Reef Base, a research station run by Florida International University and which sits 20 metres down on the seabed off the Florida Keys.

Fabien Cousteau waves from inside Aquarius Reef Base, a laboratory 63 feet below the surface in the waters off Key Largo, Florida in 2014
 Fabien Cousteau waves from inside Aquarius Reef Base, an ocean-floor laboratory off Key Largo, Florida in 2014. Photograph: Wilfredo Lee/AP
Aquarius plays host to a stream of people – scientists, film-makers, astronauts, even Jacques Cousteau’s grandson Fabien – who want to experience time underwater. As part of Nasa’s Extreme Environment Mission Operations (Neemo), the Canadian astronaut Chris Hadfield, famous for singing David Bowie songs aboard the International Space Station in 2013, used Aquarius to train.But Aquarius is still just a small research station, with room for just six people. In the 21st century, underwater “living” has become almost exclusively the preserve of hotels and resorts that sell “experiences” to guests via underwater glass ceilings and fish windows. The world’s largest underwater restaurant opened in Norway in 2019. Submerged hotels in the Maldives, Fiji, Dubai and Singapore use elevators to take guests below the waterline, and feature amenities such as Poseidon’s undersea chapel (“for a wedding ceremony or vow renewal truly unlike any other”), and are a lot more comfortable than Tektite ever was.Instead, the architects and scientists who still look to aquatic habitation spend most of their time thinking not about underwater cities, but floating ones. Long the refuge of the poorest city dwellers, such as the vast Makoko floating slum of homes on stilts in Lagos, houses on water have become newly popular as waterfront property prices – and sea levels – have risen across the world.So far, most of this effort to colonise the water has gone into land reclamation projects, such as the Odaiba island in Tokyo, or South Korea’s Songdo “smart city”. Architects in Dubai even tried to create a scale model of the entire Earth off its coast. However, reclamation is expensive, and requires constant maintenance to keep the ocean from reclaiming the space. Japan’s Kansai airport is sinking.

Under in Lindesnes, Norway, is the world’s largest underwater restaurant
 Under in Lindesnes, Norway, is the world’s largest underwater restaurant. Photograph: Jonathan Nackstrand/AFP/Getty Images
Exterior view of Under
 Exterior view of Under: the restaurant is 5.5 metres beneath the sea. Photograph: Tor Erik Schrøder/AP
Architect Koen Olthuis thinks it’s more natural for cities to spread by floating. His firm Waterstudio builds floating buildings, mainly in the Netherlands, to help cities be more resilient. Recently, Olthuis started adding submerged levels to his structures. “In Holland the licences for dwellings on the water are small, but they say nothing about living underwater.”The goal is partly ecological, Olthuis says. “Ten years ago, it was about proving that a structure did not have a negative effect – but now it’s about also having a positive effect.” He points to the “rigs to reefs” principle where abandoned oil rigs have been transformed into habitats for ocean life. Waterstudio’s Sea Tree builds on that concept: it’s a platform that attracts birds, bees, fish and water plants into a single dense floating structure that can be moved between cities. He says the first Sea Trees have been commissioned by a Chinese developer in Kunming, who was asked to create a tourist attraction after a dam permanently altered the landscape.The Bjarke Ingels Group last year revealed a concept for a buoyant municipality called Oceanix City – a modular system of floating islands clustered in multiples of six to form a kind of archipelago. Meanwhile, the Seasteading Institute, founded by PayPal’s Peter Thiel and the grandson of the economist Milton Friedman, continues to pursue its libertarian goal of floating communities living outside the boundaries of national law. The Chinese construction giant CCCC has a design similar to Oceanix City, while the architect Vincent Callebaut has imagined a city called Lilypad with a series of oceanic skyscrapers that would house 50,000 people.“I see blue cities,” says Olthuis. “Not floating cities. Just a city growing over water, taking advantage of the floating structures but in the same pattern as on land – a kind of Venice but floating, that can be used in New York, Miami … any city that’s threatened by water.”

An artists’ rendering of the Sea Tree project – a structure to attract fish and other wildlife to an area.
 An artist’s rendering of the Sea Tree project by Dutch architects Waterstudio. Photograph: Waterstudio
OceanixCity – a modular system of floating islands clustered to form an archipelago. Concept by Bjarke Ingels Group
 Oceanix City – a proposed modular system of floating islands form an archipelago. Photograph: BIG-Bjarke Ingels Group
Aerial view of Oceanix City
 An aerial view of Oceanix City. Photograph: BIG-Bjarke Ingels Group

The craze for deep-sea living wasn’t entirely folly, though. Rougerie says that time beneath the waves changes our outlook on the planet, helping inspire the environmental movement. It’s why continues to sponsor the competition to design underwater cities. “The biggest threat to our ocean is man: pollution, chemical and plastic. But I’m convinced that the young have a conscience and they’ll do everything in their power – they’re totally committed and willing to find a solution.”

Sylvia Earle, too, believes that man’s understanding of the universe has been changed by underwater exploration. “In the last 50 years,” she says, “two major things have happened: the expansion of our technology into the skies above – which has given us great insights into the blue speck in the universe that we couldn’t understand any other way – and going deep in the ocean, which has also changed everything.

“It has taught us that life exists everywhere, even in the greatest depths; that most of life is in the oceans; and that oceans govern climate. Perhaps because we’re so terrestrially biased, air-breathing creatures that we are, it has taken us until now to realise that everything we care about is anchored in the ocean.

“It’s the ocean that drives planetary systems – and we have done more harm to our life-support system in the last 50 years than we have in all previous human history,” she says. “If we fail the ocean, nothing else matters.”

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Rotterdam ospiterà il primo grattacielo galleggiante al mondo in legno

By Tommaso Tautonico
InfoBuild
2019.Dec.05

 

Sarà realizzato in legno lamellare a strati incrociati il primo grattacielo galleggiante al mondo. Alto 40 metri, il progetto è unico e innovativo con ampie vetrate per favorire la luce naturale, sarà destinato ad ospitare uffici, spazi verdi pubblici e un ristorante con terrazza.

a cura di Tommaso Tautonico

Rotterdam ospiterà il primo grattacielo galleggiante al mondo in legno

Indice degli argomenti:

    • Il primo grattacielo al mondo galleggiante
    • Vegetazione e luce naturale: i valori aggiunti del grattacielo in legno

Rotterdam, la storica città olandese dalle marcate origine nautiche, ospiterà il primo grattacielo al mondo in legno capace di galleggiare. Progettato dallo studio di architettura e design Waterstudio, già noto per altri edifici galleggianti, l’innovativo progetto  è basato sull’uso del legno lamellare a strati incrociati, cross laminated timber (CLT).

Rotterdam ospiterà il primo grattacielo galleggiante al mondo in legno. Rendering spazi per uffici

“Perché il CLT è il miglior materiale nell’architetturagalleggiante?– Perché le costruzioni in legno lamellare sono più leggere rispetto alle strutture in cemento. E poi il legno è una risorsa rinnovabile in grado di assorbire le tensioni, offre una ridondanza elevata  e permette connessioni duttili” dichiarano dallo studio diretto dall’architetto Koen Olthuis.

Il primo grattacielo al mondo galleggiante

Alta 40 metri, vi starete chiedendo quale segreto si nasconda dietro la sua caratteristica principale: il galleggiamento. “La risposta è molto più semplice di quella che pensate” dichiarano dallo studio. La torre verrà interamente realizzata in legno a strati incrociati, caratteristica che donerà all’intera struttura molta più leggerezza. “Inoltre – continuano i progettisti – costruire con una risorsa rinnovabile come il legno, fornirà alla città di Rotterdam un’immaginesostenibile e all’avanguardia”.
L’architetto Olthuis paragona il design dell’edificio a quello di un foglio di carta i cui lati vengono spinti verso il centro, finché si crea una collinetta, che in questo caso corrisponde al grattacielo.

Design del grattacielo galleggiante in legno di Rotterdam

–

Una caratteristica peculiare dell’edificio è la presenza di una serie di colonne V sull’intera facciata, visibili già avvicinandosi alla struttura.

Vegetazione e luce naturale: i valori aggiunti del grattacielo in legno

La torre in legno galleggiante ospiterà principalmente uffici e spazi aperti al pubblico. I primi saranno localizzati nella parte più alta, mentre la zona inferiore e il ponte principale saranno adibiti ad usi diversi come una galleria e un bar. Sempre sul ponte inferiore, un ristorante sarà caratterizzato da una splendida terrazza che offrirà una vista mozzafiato sul porto.

Vegetazione e luce naturale: i valori aggiunti del grattacielo in legno di Rotterdam

Un lussureggiante cortile permetterà ai lavoratori e ai visitatori di godere di aria fresca e pulita di giorno o di notte. L’intera area è progettata per essere uno spazio multifunzionale in grado di ospitare eventi durante tutto l’anno.

Grandi vetrate delimiteranno entrambi i lati dell’edifico, permettendo alla luce naturale di illuminare gli spazi interni e l’ampio atrio centrale. Un modo semplice ma funzionale per godere della luce naturale nel grigiore del tempo olandese.

Rotterdam ospiterà il primo grattacielo galleggiante al mondo in legno. Rendering spazio interno

Gli spazi interni ed esterni verranno abbelliti grazie all’abbondante vegetazione che ritroveremo nei giardini e negli orti che puntellano l’intero edificio, sia all’esterno che all’interno. Lo stesso grattacielo sorgerà su una piattaforma ricoperta da piante e alberi.

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The ‘blue economy’ is changing how we see the ocean. But with opportunity comes risk

By Antony Funell
ABC Australia
2019.Oct.11

 

Dutch marine architect Koen Olthuis has floated a novel idea. He wants to make the Olympics more affordable by staging them on water.

He predicts that would bring down the enormous infrastructure costs involved in staging the Games and allow poorer countries to bid for them.

The Olympics, he believes, needs to take on a bluer, not just a greener, tinge.

“You do it on water and you say, ‘We will build some floating stadiums and floating hotels and you can lease these structures for your city. And you use them and pay for their use for three or four months,’” Mr Olthuis says.

“Then they move to another city. It becomes much more logical.”

His vision might seem fanciful until you realise that the world’s largest ocean liner, Symphony of the Seas, already accommodates just under 7,000 passengers, and its length is the equivalent of almost four football fields.

Aerial view of a cruise ship in the Bahamas.
Photo:

Massive cruise ships can already host thousands of people. (Getty: Daniel Piraino EyeEm)

So, engineering a floating hotel or stadium clearly isn’t a problem.

“In Rotterdam, in the Netherlands, we’ve already been active in designing these kinds of structures,” Mr Olthuis says.

“It’s more where do you place them, what kind of water you have, is it deep enough, what kind of flow is there, what kind of extreme weather you can expect.”

BECOMING LESS DEFENSIVE ABOUT THE OCEANS

The ocean-going Olympics is, for the moment, a thought experiment.

But it reflects a changing attitude among architects, engineers and urban designers.

Black and white profile picture of a middle aged man with blond hair.
Photo:

Koen Olthuis is one of the architects who “see water as an opportunity”. (Supplied: Waterstudio.NL)

“With improved technology we’ve found so many more ways that we can build into the sea,” says environmental scientist Katherine Dafforn.

That reassessment, she says, is being driven by the twin factors of climate change and urban congestion.

“We can’t easily remove those drivers, those stressors, so we do need to find a solution. And the oceans do offer some opportunities to find more space to house our population,” she explains.

Mr Olthuis believes the experience of the Netherlands can serve as an example of best practice.

The Dutch have traditionally viewed the sea as the enemy, he says, as a force to be conquered, but that’s now quickly changing.

White apartment building floats on top of the water.
Photo:

An artist’s impression of floating apartment buildings. Is this the housing of the future? (Supplied: Architect Koen Olthuis – Waterstudio.NL)

“We live in a country where we shouldn’t live — it’s all beneath sea level. And now with climate change and a higher sea level we see it’s more difficult to keep our country dry,” Mr Olthuis says.

“So, we’re rethinking that and saying, maybe in some parts of Holland we should just let water come in and then start building on top of the water.

“WE SEE WATER AS AN OPPORTUNITY.”

A BOOM IN OFFSHORE ACTIVITY

The Queensland University of Technology’s Brydon Wang says that attitudinal change is beginning to transform our near coastal environments, with a wide range of vital urban infrastructure now being located offshore, especially energy-related facilities.

The Hywind floating wind farm is a prime example. It commenced operation 24 kilometres off the coast of Scotland in 2017. Its five massive turbines are 250 metres tall and are tethered to the ocean floor using giant chains.

They’re purpose built for resilience — to work with nature, not against it.

Hywind is one of around 50 floating wind farms currently planned or under construction in Europe.

Late last year it proved its long-term viability by continuing to generate power during hurricane-like conditions.

Mr Wang says the “natural moat-like environment of the sea” offers protection to such facilities. And the fact that they float provides maximum flexibility.

High angle view of wind turbines in the ocean.
Photo:

There are many wind farms now running in the ocean. (Getty: Konstantin Sahnjuk EyeEm)

“For example, if you put a desalination plant in the ocean, you might have a situation where there is drought in a particular city and you can float that desalination plant to where it is needed,” he says.

That philosophy also appears to underpin the controversial development of Russia’s first floating nuclear power station.

It took more than 10 years to construct and began its maiden voyage in August.

Its role, according to Russian authorities, will be to service remote mining operations in isolated areas above the Arctic circle.

Power unite being towed to moorage in the artic.
Photo:

The floating power unit being towed to Atomflot moorage of the Russian northern port city of Murmansk. (Getty: Alexander Nemenov )

But this new focus on the oceans isn’t just about energy production or population expansion.

Mr Wang believes that by taking a “floating cities” approach, town planners can also enhance the cultural life of urban areas.

“One of the main problems with the way our coastal urbanisation has occurred is that we’ve got very flat and linear cities that are compressed against the coastlines, and that actually doesn’t make for very vibrant cities,” he says.

“If you look at Korea and Singapore they are starting to put immense cultural facilities in the water.

“Singapore has its massive floating stage that sits right in the marina. We’ve got a lot of cultural and exhibition spaces in Seoul that are floating in the nearby water bodies.”

A large floating stage on the water in Singapore.
Photo:

The Marina Bay Floating Platform in Singapore city. (Getty: Carol Anne)

FROM URBAN CONGESTION TO MARINE SPRAWL

Another way in which governments are choosing to deal with the twin difficulties of climate change and congested coastal cities is by “reclaiming” land from the sea.

Katherine Dafforn’s research, conducted with colleagues in Singapore, Italy and the US, suggests 450 artificial islands have been created in recent years to meet a whole range of needs — from military applications to tourism to airport construction.

Dr Dafforn also notes vast areas of the coastal marine environment have been walled off and filled in, with estimates that up to 25 per cent of Singapore is built on reclaimed land. For Tokyo it’s 20 per cent.

But China, she says, has been the most expansive.

“They’ve reclaimed extensive stretches of their inter-tidal zone. Around 13,000 square kilometres of their intertidal mudflats have been lost due to land reclamation,” Dr Dafforn says.

“I think that there is definitely a shift and more countries are actually investing money in doing it, even places like Monaco, places like the Maldives, all have their own plans for artificial islands.”

MORE STORIES FROM FUTURE TENSE:

But that trend, warns Dr Dafforn, risks creating “marine urban sprawl” every bit as damaging as its onshore equivalent.

“It needs to happen with some more sustainable ideas in mind,” she adds.

“The technology for building artificial islands has grown at the same time ecological understanding of the impacts and how to manage them has grown.”

She points to the Pacific where several artificial islands and structures have been created over coral reefs, resulting in enormous ecological harm.

“So, if we can put ecologists and engineers together at the beginning, when construction is first being planned and designed, then I think we have a lot of opportunities to build these artificial islands in a much more ecologically sustainable way,” she says.

Mr Olthuis believes architects and engineers need to embrace a double-sided approach to their design: thinking not just about what they build above the water, but also below it.

“For every project that we do we first have to do an environmental impact assessment. We measure the condition of the ecosystem before we do anything,” he says.

“We work with what we call blue habitats, these are structures that we connect to the underside of our buildings or our floating parks or whatever we do on water.

“And they have an effect on the water life — a habitat for fish, for green life under the structures.”

THE ‘BLUE ECONOMY’ — ENLIGHTENED OR EXPLOITATIVE?

The growth in interest in marine architecture and offshore engineering is now being described by the United Nations and others international organisations as the emerging “blue economy”.

An exact definition for what that term encompasses is hard to come by.

Even some of its proponents agree it’s a nebulous phrase which is being used to embrace everything from sustainable aquaculture to ocean-floor mining.

Darren Cundy from the newly-created Blue Economy Cooperative Research Centre in Tasmania believes the label should only be used for activities with a sustainable edge.

His $329 million project is researching the development of a giant floating fish farm. One that can also generate enough electricity to be self-sufficient.

“What really is clear is that the blue economy is challenging us to realise that the sustainable management of ocean resources is going to require a collaboration across borders and across sectors through a whole range of partnerships on a scale that really we haven’t seen before,” Mr Cundy says.

“The oceans are a vast resource and there are different perspectives on how the economic value of that might be tackled.”

But Fauna and Flora International’s Daniel Steadman worries about the veracity of an approach that tries to marry the seemingly contradictory aims of promoting environmental responsibility while increasing opportunities for exploitation.

“WHAT I FIND PROBLEMATIC IS THAT THE WORLD DOESN’T NECESSARILY WORK LIKE THAT,” HE SAYS.

“If you take rare earth metals from the ocean claiming that it’s because you’ll take less from the land, and then both the new extraction in the ocean starts up and the old extraction on the land continues, you’ve perpetuated a problem, probably created a new one, and not solved anything.

“Similarly, if you farm fish to reduce the need to catch them in the ocean, but then the fish in your farm need to eat fish from the ocean, you’ve created this sort of negative feedback loop of interdependencies where neither people nor the ocean are improving.”

The one thing that is certain is that as the world’s population increases exponentially — and as food, resources and space become a premium — more and more interest will be directed toward ocean resources, for better or worse.

 

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Built on water: Floating Houses

By Ambista
May.17.2019

Architects from New York to Shanghai are increasingly being confronted with the same problem: Too little space for too many people. The challenge of developing new habitable spaces within the city is not easy. Many architects, contractors and urban planners are tackling this situation with floating architecture.

The architects of Waterstudio.NL not only design floating houses in the luxury segment in the IJburg district of Amsterdam but also in the rest of the world. © Koen Olthuis – Waterstudio.NL

New living space on the water

Whether it’s Asia, the US or Europe, living space is becoming an important resource in the major cities of the world. Most cities have little room to grow in the central urban area and increasing rents are symptomatic of this crisis. Metropolitan regions in the immediate vicinity of water are trying to develop new living spaces with floating houses in response to the housing shortage.

Floating houses take care of two problems at once: They meet the demand for living space in large cities and also serve as flood protection. Coastal cities in particular are extremely affected by climate change and the resulting rise in sea level. They are therefore looking for new strategies to cope with the water and turn the disadvantage into an advantage.

Floating houses in Amsterdam

It is no wonder that the Netherlands is considered a pioneer when it comes to floating houses. Around a quarter of the country lies below sea level. For the Dutch, water has long been an important element of urban planning. Amsterdam is a major European city known worldwide for the many houseboats that create additional living space in the canals.

However, not only do the residents of Amsterdam live on the water in the city centre but also in the eastern part of the city. The new IJburg district was created here on artificially raised sand islands. In the first construction phase, a total of 18,000 apartments with living space for 45,000 people were created. The Waterbuurt district in the western section of IJburg was also planned at the same time – the Floating Houses IJburg project by Amsterdam-based Marlies Rohmer Architects & Urbanists.

Lacking a firm subsoil, the neighbourhood functions primarily with bridges and jetties, which provide access to the residences. Gardens are not allowed, but living close to the water makes up for it. A lock ensures that the inland sea on which the houses float is separated from the IJMeer. This prevents the apartments from drifting out to sea. The project was completed in 2011 and included both social housing and condos.

Architecturally, however, IJburg is still a long way from being fully developed. To the east, the “Water District” continues to grow. By 2020, the Dutch architectural firm Waterstudio.NL wants to complete around 380 additional apartments, offices, floating gardens and a restaurant. Everything is possible for the architects – from a bungalow to a three-storey residential building.

Amphibious houses on the Thames

Other countries, such as Great Britain, are also discovering water as additional living space. This is how the amphibious houses near Marlow on the Thames in Buckinghamshire came to be. The homes were designed by Baca Architects in London. When the tide is low, the house rests on the ground like a conventional building and can also float in the event of flooding.

This is made possible by a kind of dry dock made of reinforced concrete, which serves as the base of the house. As the floodwaters fill the trough, the house is buoyed up to the surface of the water. An anchoring system keeps it in position and buoyancy is ensured by air chambers under the floor.

Living on the water: The future is now

In Hong Kong and Macau, people have been living on the water for a long time – in jungle settlements consisting of old sailboats that have fallen into disuse. In the US, water communities also have a long tradition. Seattle has one of the largest collections of floating houses in Portage Bay and Lake Union. And Germans are also finding life on the water more and more attractive.

In Hamburg, for example, additional moorings for houseboats and floating houses are being built. The idea of floating architecture is no longer a vision of the future, it is a reality. People learn to live with water and use it for urban development. And not only in Europe or Asia, but throughout the entire world.

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Luxury Green Floating Home With Solar Panels and Excellent Insulation

By Paul Muzner
Ecourbahnhub
April.6.2019

Arkup’s homes will be fully self-sustaining

If you’re attracted to yachting and luxury waterfront living, you might just combine the two with Arkup’s livable yachts. Designed by Koen Olthuis with Waterstudio in collaboration with Arkup, the structures can be docked in marinas or bays, and hydraulic pilings then raise the structure above the water level protecting it from the action of the waves. In fact, the company claims that its “yachts” will withstand severe storms and floods.

Adding to the attraction, Arkup’s homes will be fully self-sustaining. Solar energy powers the cube-like living structures, and environmentally-friendly waste management systems, waterpurification plants, and rainwater tanks ensure that the environmental footprint of the homes is minimal.

Spaciousness and luxury are part of the package. The living room alone measures 775 square feet, and the units include a kitchen, a bedroom, a dining area, and a rooftop lounge. The front façade consists of sliding doors that lead out onto a terrace. To complete the luxury ambiance, Arkup has partnered with Artefacto, a Brazilian company specializing in sustainable, luxury furnishings.

While living in a sustainable Arkup home will certainly be a delightful experience, local reaction to the blockish, two-story high structures being docked alongside the coast in the medium to long term may be not always positive.

The visual footprint of coastal homes is already controversial when they block views, and if they should prove popular, local residents are bound to object to an array of elite Arkup homes obstructing the waterside vista. Nevertheless, with rising ocean levels and the expected increase in the frequency of severe storms, the homes may yet prove to be a waterfront prototype of a workable future solution.

It can be yours for USD5.5million.

Arkup’s homes will be fully self-sustaining (Arkup & Waterstudio)

Skyline view from the terrace (Arkup & Waterstudio)

Living room (Arkup & Waterstudio)

Interior design with kitchen (Arkup & Waterstudio)

Skyline view with Arkup’s green floating home (Arkup & Waterstudio)

Ground floor (Arkup & Waterstudio)

Floor plan of the second floor (Arkup & Waterstudio)

Top view of the roof with solar panels (Arkup & Waterstudio)

Rendering of elevated floating home (Arkup & Waterstudio)

Swimming floating home (Arkup & Waterstudio)

Terrace of the green floating home invites for relaxing (Arkup & Waterstudio)

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First floating duplex-house Schoonschip arrived at its location in Amsterdam

Schoonschip, the new and sustainable floating neighborhood in Amsterdam is now filling up with the waterhomes. A lot of different designers and architects brought here their concepts to live. Waterstudio was happy to help 4 families with realizing their dreams of living beyond the waterfront. A fantastic time lapse video was shot by Isabel Nabuurs Productie. This show the arrival and mooring of the first structures.

Click here for the video

 

 

Construction in progress Floating Duplex in Amsterdam

This floating duplex building designed by Waterstudio is now under construction. The images below show the progress. The building will be built up on land, later the whole element will be placed in the water and shipped to its location in Amsterdam. The images show perfectly the floating base and the superstructure. This floating structure will be cladded with different patterns of wood, as in a patchwork.

We will keep you updated!

How floating architecture could help save cities from rising seas

By Kate Baggaley
NBC
Apr.09.2018

 

 

From New York to Shanghai, coastal cities around the world are at risk from rising sea levels and unpredictable storm surges. But rather than simply building higher seawalls to hold back floodwaters, many builders and urban planners are turning to floating and amphibious architecture — and finding ways to adapt buildings to this new reality.

Some new buildings, including a number of homes in Amsterdam, are designed to float permanently on shorelines and waterways. Others feature special foundations that let them rest on solid ground or float on water when necessary. Projects range from simple retrofits for individual homes in flood zones to the construction of entire floating neighborhoods — and possibly even floating cities.

“It’s fundamentally for flood mitigation, but in our time of climate change where sea level is rising and weather events are becoming more severe, this is also an excellent adaptation strategy,” says Dr. Elizabeth English, an associate professor at the University of Waterloo School of Architecture in Ontario. “It takes whatever level of water is thrown at it in stride.”

NEW KIND OF FLOOD READINESS

From ground level, amphibious houses look like ordinary buildings. The key difference lies with their foundations, which function as a sort of raft when the water starts to rise.

In some cases, existing homes can be retrofitted with amphibious foundations to give people in flood-prone areas a less costly alternative to moving or putting their homes on stilts, says English, founder of Buoyant Foundation Project, a nonprofit based in Breaux Bridge, Louisiana and Cambridge, Ontario. “What I’m trying to do is to take existing communities and make them more resilient and give them an opportunity to continue to live in the place that they’re intimately connected to,” she says.

There are also new constructions built with amphibious foundations, such as a home designed by Baca Architects on an island in the River Thames in Marlow, England. When waters are low, the house rests on the ground like a conventional building; during floods, it floats on water that flows into a bathtub-shaped outer foundation.

Amphibious architecture isn’t about to displace conventionally designed buildings. But experts say it could become the norm in parts of Virginia, Louisiana, Alaska, and Florida, and other areas that are vulnerable to rising seas. “For some communities this might be a saving grace,” says Illya Azaroff, director of design at New York-based +LAB Architect PLLC and an associate professor of architecture at the New York City College of Technology.

FLOATING HOMES

Other architects are taking things a step further and building on the water itself. The Netherlands is a hotspot for such floating construction. Waterstudio, a Rijswijk-based architecture firm, recently designed nine floating homes for the town of Zeewolde. The homes look a bit like oversized floating houseboats.

Waterstudio has also designed a number of floating homes for Amsterdam’s IJBurg neighborhood. Soon these will be joined by a floating housing complex designed by the Dutch firm Barcode Architects and the Danish firm Bjarke Ingels Group. When construction is completed in 2020, the complex will have 380 apartments as well as floating gardens and a restaurant.

Floating buildings and neighborhoods are not a new idea, of course. Vietnam and Peru, among other countries, have had floating communities for centuries. But floating architecture could allow cities around the world to grow and evolve in new ways, says Waterstudio founder Koen Olthuis.

Olthius envisions cities with floating office buildings that can be detached and rearranged as needed. “It can be that you come back to a city after two or three years and some of your favorite buildings are in another location in that city,” he says, adding that buildings might be moved close together to conserve heat and separated when summer arrives.

SPREADING OUT

Floating architecture can do more than prevent flood damage. By allowing the construction of buildings over water, it can give cities additional room to grow. Waterstudio is collaborating with developer Dutch Docklands on a planned community in the Maldives that will include 185 floating villas. The flower-shaped development will have restaurants, shops, and swimming pools.

The firms are also collaborating in the Maldives to build private artificial islands that will be anchored to the seafloor. The idea is to provide new places to live for residents of the low-lying islands, which are at risk of being swallowed up by rising seas. “We will let the commercial project show that the construction can work and then work with the government to help the local community,” Jasper Mulder, vice president of Dutch Docklands, told Travel + Leisure.

 

The islands are also meant to offer a sheltered new habitat for marine life.

There are also plans for entire floating cities. The Seasteading Institute, a San Francisco-based nonprofit, hopes to attract 200 to 300 residents for a floating village scheduled for completion in the waters off Tahiti by 2020. Homes and other buildings in the community will be constructed atop a dozen or so floating platforms connected by walkways. Eventually, the institute hopes to create communities built from hundreds of platforms with millions of residents.

“I don’t know if amphibious or floating architecture will go that far, but it is within the realm of possibility,” Azaroff says. “The overarching goal is to, one, keep people safe and, two, to allow the natural cycles to continue. Floating architecture allows you to do that in a really profound way that we didn’t have before.”

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Watervilla Aalsmeer, The Netherlands: now on sale

Watervilla Aalsmeer (The Netherlands) is now on sale!

For more info contact AWN Makelaardij(info@awn.nl ) Tel : 0294450752

click here for more information about the Watervilla

 

Waterstudio makes a splash with floating architectural visions

By Rich Haridy
New Atlas
Nov.24.2017

The spectacular Sea Tree concept is designed for flora and fauna where cities have no land left for animals or plants to thrive. The estimated cost is €1 million (US$1.18 million) and the entire structure is tethered to the sea bed by cables(Credit: Waterstudio)

For the last 13 years, Dutch Architect Koen Olthuis has been designing floating structures at his firm Waterstudio. His spectacular visions for reimagining urban environments has resulted in over 200 floating buildings around the world. Let’s dive in and take a look at some of the studio’s work.

Olthuis’ work ranges from hugely speculative concepts like his spectacular Sea Tree, to firmly pragmatic design solutions like the Floating City Apps, which are refitted shipping containers that float on beds of recycled plastic bottles.

One of the more extraordinary recent floating projects to get underway is a series of private artificial islands in the Maldives called Amillarah. These luxury floating islands are designed for the super rich and the first island is set to be built soon, with dozens to quickly follow.

But Waterstudio isn’t just interested in designing islands for the super rich. In fact, Olthuis’ main vision is to create floating developments as an architectural response to rising sea levels and increasing urban density. The City Apps project in particular is a compelling, and adaptive, solution to helping less-advantaged communities in flood prone areas. The first major delivery, including a classroom and a floating solar energy plant, will soon arrive in Dhaka, Bangladesh.

 

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